Travel Photography

So Summer is fast approaching and maybe you are wanting to get some great holiday snaps with your DSLR but don’t want to carry around lots of clunky equipment. I am going to give you some advice and recommend some products that I have used to capture some great shots whilst travelling.

I am going to talk about Canon Cameras because that is the brand I use. However you can find your preferred brands equivalent and use them instead.

I have done most of my travel shooting to date using a crop sensor DSLR. So I am going to be giving the best lenses to use with this sort of camera as opposed to full frame.

Luggage allowances can be the bane of any travelers existence and it can be part of the reason behind your decision about what you can and can’t take.

I would recommend a camera bag that you can use as hand luggage to ensure the safety of your Camera Body and Lenses. One like this is a good size and price. This is the bag I use and I am yet to have any airline refuse it. Although be prepared for Airport security to thoroughly check your bag and potentially swab your camera and lenses when going through security.

I would recommend a travel tripod. These tend to be small and robust and can fit easily inside your luggage without taking up much room or adding much weight so you can still pack all those essentials. This is the one I use when I go abroad and it can be attached to my camera bag for when I am out and about exploring. I love the quick release plate which means I can leave it attached to my camera all day and when I need to I can just quickly pop it on the tripod when I want without having to mess around too much. One issue with them however is that they are limited on height; this one only stands at 22 inches (1.8 Feet approx) when fully extended which does mean you will probably be looking for a wall to set this on. Its feet are movable though, so you don’t have to be looking for a completely level surface to set it up on, and a handy spirit level on the tripod will tell you when you have it all straight.

This might seem like an obvious one but it still needs stating. Make sure you have your battery’s charger. You don’t want to get abroad and find after a day of shooting, with lots more exploring to be done, that you can’t as you haven’t got anyway to charge your battery. *It is also important to ensure that your camera has sufficient charge to be able to be turned on at the airport. If your device can’t be switched on it can be confiscated.

Now on to what lenses to take with you obviously this is all subjective and would depend on limitations on weight and room in your bag etc.

  • Zoom lenses are a great way of saving room as you can have them cover multiple focal lengths that you might usually have in your kit bag and this way you only have to take one lens instead of two.

  • Most crop sensor DSLR will come with one kit lens. Fairly common to get an 18-55mm lens. If you don’t have one it’s a handy little lens that is worth getting in your kit to save on space.

  • I would recommend a fairly wide angle lens. Something like the Canon EF-S 10- 18mm ( I am yet to find a full frame alternative. If you are reading this and know of one let me know in the comments below) this allows you to take shots that will encompass more of your surroundings. Also good if you’re in a confined space and can’t move your feet to get what you want in the frame.

Example below of my wife on a footbridge in Venice. There was a steady flow of people behind so I couldn’t step back and try to frame up this shot with my 35mm and, in fact, the distance I would have had to go to get a shot similarly framed would have had meant having loads of extra people filling the frame. It is also a good selfie lens if that is what you are after.

ƒ/5.0 Shutter Speed 1/40s ISO 500

ƒ/5.0 Shutter Speed 1/40s ISO 500

  • Then at the opposite end of the spectrum I recommend a Canon EF 75-300mm. This will allow you to get in real close to the action that you just wouldn’t be able to get near to in normal circumstances or to get greater detail on landscapes. However, this is a big bit of equipment and might be a little too big for some bags.

Below are two examples; the first showing a close up of a dome on the Cattedrale di Palermo. And the second is a shot taken from Fisherman's Bastion in Budapest looking out over the Danube River.

ƒ/11.0 Shutter Speed 1/160s ISO 320

ƒ/11.0 Shutter Speed 1/160s ISO 320

ƒ/5.6 Shutter Speed 1/15s ISO 3200

ƒ/5.6 Shutter Speed 1/15s ISO 3200

  • If you are not short on space I would certainly recommend packing a 35mm, 50mm and a 100mm set of prime lenses. They are typically more versatile and allow for lower ƒ/Stops which can also reduce the need for a high ISO. Which reduces noise and increases the overall quality.

You might have read this and be wondering why I am advocating for crop sensor cameras as opposed to full frame.

Firstly, the cameras are cheaper and usually they are covered within your travel insurance, or if not, it is a smaller add on charge than Full Frame cameras which cost into the thousands which will lead to a greater premium on your policy so they can be more cost effective for some people. Secondly, they tend to have a built in flash which saves on space in your camera bag and additional expenditure if you had to buy a separate flash.

If you have found this useful then please share. Thanks for reading.

If you are new to DSLR Photography here is a life hack in how to start taking great photos

So, you have decided to enter the world of DSLR photography, but you don’t know where to start. You might just be looking to take some high quality photos as a hobby or you have hopes of pursuing a career in photography.

You know nothing of ISO or Shutter speeds and what the hell is an ƒ/stop?

Now this isn’t exactly a hack but it will help you better than looking at the exposure triangle and trying to wrap your head around it when you are first starting out. Quite simply put the camera into it’s Auto setting and go out and start snapping. If you are a novice shooting in Auto, look at it as having on your training wheels. Work on your composition and then cherry pick your favourite images you have taken. Look and see what settings the camera selected. This will help you make decisions when you switch to manual.

ƒ/5.6 Shutter Speed 1/200s ISO 400

ƒ/5.6 Shutter Speed 1/200s ISO 400

This was one of the first images I took when I first started using my camera with Intelligent Auto mode. I analysed this one, and other images taken over time, to give me in idea of what settings to apply once I was ready to start experimenting in Manual. Getting out there with some prior knowledge of what sort of settings achieve the desired effect you are looking for can aid you immensely. Don’t be afraid to experiment as trial and error can offer lots of learning experiences and can lead to some great shots.

Even when you do get more confident with shooting in Manual you will be constantly making little tweaks and fine tuning as the lighting and scenery dictate.

Here is a recent shot I took in Manual;

ƒ/5.6 Shutter Speed 1/2000s ISO 400

ƒ/5.6 Shutter Speed 1/2000s ISO 400

Live gig photography for the first time (Tips and Tricks)

As a photographer I am always trying to broaden my horizon and test myself so I decided to shoot some photos at a concert I was attending.

I had never shot at a concert before. I learned there are several challenges to overcome when shooting at a gig and a lot of questions that went through my mind.
Is the stage going to be well lit? What sort of changes to light should I expect with lighting cues? What lens will be the best for capturing the action?

I was fortunate that the stage was small and fairly well lit so this allowed me to keep my ISO relatively low. Which means I was able to cut down on the noise in the images. I was able to stick to 800 ISO and I kept my shutter speed between 1/40s and 1/160s and my aperture between ƒ/1.8 and ƒ/3.5. This allows the camera to take in a lot of light while also giving me a the speed to ensure the image doesn’t blur. Obviously there are instances where a slower shutter speed could offer a more artistic composition and capture motion in a blur. I did one shot where I put the settings to ƒ/14 Shutter Speed 2 sec ISO 800. It is the final image shown below. It is not quite the desired effect but it shows what sort of image you can get by pushing the settings in the opposite direction.

Shooting with a prime lens obviously means you won’t be able to zoom so how do you overcome that issue? If you can’t get a photo pass you might not be able to get up close and personal so you have to choose your position wisely. I simply asked the venue in advance if I would be able to bring my DSLR into the gig and they agreed (a big thank you to the Night & Day Cafe for that) and found myself a safe spot near the front.

I used a Yongnuo YN 50mm f/1.8 Lens but what if the stage had been bigger or raised higher up? I may have required something different. However simply cropping the image in post might be sufficient and save you having to lug around a larger lens.

Overall I really enjoyed the challenge of shooting at a gig, as it poses similar lighting issues to the evening reception at a wedding, and I hope to shoot some more gigs again soon.

To check out Mike West you can do so here.

Chris Shiflett “Hard Lessons” the forthcoming album out 14th June (June 21st in the UK)

ƒ/2.2 Shutter Speed 1/125s ISO 800 Mike West

ƒ/2.2 Shutter Speed 1/125s ISO 800 Mike West

ƒ/2.8 Shutter Speed 1/80s ISO 800 Chris Shiflett

ƒ/2.8 Shutter Speed 1/80s ISO 800 Chris Shiflett

ƒ/3.2 Shutter Speed 1/40s ISO 800 Chris Shiflett

ƒ/3.2 Shutter Speed 1/40s ISO 800 Chris Shiflett

ƒ/3.5 Shutter Speed 1/80s ISO 800 Chris Shiflett and Band

ƒ/3.5 Shutter Speed 1/80s ISO 800 Chris Shiflett and Band

ƒ/2.2 Shutter Speed 1/100s ISO 800 Chris Shiflett

ƒ/2.2 Shutter Speed 1/100s ISO 800 Chris Shiflett

ƒ/14 Shutter Speed 2 sec. ISO 800 Chris Shiflett

ƒ/14 Shutter Speed 2 sec. ISO 800 Chris Shiflett